Tuesday, March 3, 2015

WOMAN OF THE WEEK: NATALIE JEAN

In independent cinema, creators often wear many hats in order to make a film come alive.  However, a sad truth is that when a man is directing/writing/acting/producing, it's always praised as some impressive feat, while women who do the same are almost always targeted solely for their acting work, regardless of the other jobs they had in creating a film.  Why? Because people consistently focus on the appearance of what a woman does, and not the realities.  Normally I reserve Wednesdays for my "Woman of the Week" segment, but I saw a post on social media today that forced me to break my own rule and feature an outstanding woman in the horror genre that deserves all the praise I could possibly give. 


I first met Natalie Jean a few years ago at the Cinema Wasteland convention, when Adam Ahlbrandt was showing his feature film CROSS BEARER. Alongside him was his FX artist and co-producer Doug Sakmann, along with co-producer/star Natalie Jean.  I was immediately impressed by her.  I was first drawn in by her radiating beauty, but it was when she began to speak about her job as a producer that she had me hooked.  Last April I was fortunate enough to become closer to her on a personal level, and this girl is the real deal.  Her performance in THE CEMETERY was one of my favorites of 2014, and there aren't many women out there hustling the way Natalie Jean is hustling.  Talented, passionate, driven, intelligent, stunning, and relentless, Natalie Jean is everything I love about independent cinema and women in horror.

Yes, Natalie Jean is a model and an actress, but she's also a decorated stunt woman, and extremely talented producer.  With credits that include films like Darren Aranofsky's BLACK SWAN and Starz' series THE CHAIR, Natalie Jean isn't some random chick who covered herself in blood for a shoe-string budget film.  Director Adam Ahlbrandt is starting to make a name for himself in the independent horror circuits with his films CROSS BEARER and THE CEMETERY, but over and over again...Natalie Jean (the star AND one of the producers of both of these films) is never given any sort of accolades for her work other than being a "hot actress."   Rue-Morgue magazine recently did a feature on Ahlbrandt's films, and yet again, the star and co-producer was thrown aside as some random actress and nothing more. Well, Natalie Jean finally had the strength to speak up about a problem that most women in the industry keep mum about.

From her official instagram account @thenattiejean:

"Congrats out to Adam and all involved for the great writeup in Rue Morgue this issue, you deserve all of it and more.

To Rue Morgue (and any of the other reputable circulations I've encountered side-stepping the roles of our chicks) one of the unnamed gaggle of 'detestable, low-life cock-sucking coke-snorting strippers', as you phrased it, is called Heather and I played her. Beyond playing Heather in Cross Bearer and Andrea in The Cemetery, I also co-produced- and at many times solely produced- both features. From March of 2011 through March of 2015 I've developed these little monsters from the ground up, often performing the work of a full production team- happily, it's something I happen to be pretty alright at. When some of the other producers bailed entirely I began draining all the cash I'd made into them, until that ran out & I had to sell my car and my stunt equipment, then abandon my apartment in Los Angeles and move to Pennsylvania to fund every pickup, insert, and piece of ADR, then run every shoot from tits to tail until they were done to satisfaction. This was followed by pouring even more cash & time into promotions, film festivals, and conventions, until it rendered me homeless. Still, I worked from my cherished Macbook hobo-style seven days a week, eating meals from Wawa with nickels and dimes & falling farther into the aether of stress-induced madness. I gave up a good three years of my life, royally screwing my burgeoning stunt career in the process, and putting all my own projects on hold.

I don't tell a lot of people these things (until now I guess). I never say shit when a guy is given credit for producing these movies, or when I'm tossed off as a nameless grab-and-stab whore in a review. No, because even though I am one of two people without who those films would not exist, I am deliriously grateful for all the love from the fans, for the film brothers who've stood up for me without me asking, to my family for not disowning me, to the colleagues who opened their doors when I had nowhere to go. And I would do it all again. But I shouldn't just take it. No gal in my position should. I should defend what I can do, what I will do, what I have done. So in honor of Heather, the non-coke-snorting, non-dick-sucking, not-whore character who means so very much to me, I invite all transgressors to eat one heaping spoon of pig shit, a modest fraction of the shit I've eaten over the last four years. Thanks! 


Oh if only that article would have come out during 'Women in Horror Month'. To dream.
"


Here's the thing. Natalie Jean's story is unfortunately all too common.  Our genre claims to be one that treats women as equals, and that's simply not true.  I've personally seen dozens of horror news outlets forget to mention Natalie Jean as a producer in their reviews for THE CEMETERY and CROSS BEARER, and that's a despicable shame.  Women in Horror Recognition month ended three days ago, and we already have respectable news sources being less-than-stellar to female horror creators.  However, many women keep tight lipped about their treatment in fear of looking "difficult" or "unappreciative" or "bitchy."  It's a ridiculous unspoken standard that many of us have to deal with every single day, and we're all expected to just deal with it.  

Now, I can already hear the other side of the argument.  "If she wanted to be taken seriously as a producer, maybe she shouldn't post the photos that she does."  I'm sorry, but this is a completely sexist and slut-shaming statement that needs to end.  Natalie Jean is a producer, yes, but she's also a MODEL.  Heidi Klum is one of the most respected creators on the planet, and she's posed in far less than what Natalie Jean wears in her photos.  Why can't Natalie Jean be a dynamite producer in addition to a super sexy model?  Why can't she be a cut throat and intelligent producer while accepting challenging acting roles?  The whole "virgin/whore" dichotomy that society (and horror films) likes to encourage is absolutely the problem.  Natalie Jean's role as a stripper in CROSS BEARER has no bearing on her ability to be a producer.  However, that's all anyone focuses on.  Forget the fact the credits state that she was a co-producer, all any news sites want to focus on is a character she played rather than the job she accomplished.

Yesterday, Bad Ass Digest posted a moving article from screenwriter Todd Farmer about how he went from Hollywood screenwriter, to living in his car in a pretty short period of time.  Everyone has been talking about how strong and inspiring Farmer is for allowing the public to see this side of him and the obstacles he's overcome...and yet Natalie Jean has done something similar and she's reduced to being compare to a character she played in a film, as a "detestable, low-life cock-sucking coke-snorting stripper."  I greatly respect Natalie Jean as a performer, but it was her bold statement speaking out against an injustice that many of us face that earned her the right to join the ranks of Woman of the Week.  Way to go, lady.

3 comment(s):

The Real Cie said...

I would love to see women get the credit they deserve, not only in cases like hers but in all walks of life. Unfortunately, as I pass the fifty year mark in my own life, I fear that I won't see it happen within my lifetime. Still, I will never quit fighting the battle. I've been a feminist and proud to call myself such since I was a teenager, and they can carve the same on my headstone when I go out.

One Sick Puppy said...

In all fairness, my apathy towards producers is not sexist- I couldn't care less about the credit either way. Producer credits are largely BS on major productions- sure there is someone who does the work, but they're so buried in a list of executives and stars with producer contract credits that nobody pays much mind. I'm afraid that's a trickle-down effect that adversely affects low budget films.

Anonymous said...

Maybe she's not getting the credit she deserves because Adam Ahlbrandt's films hate women. I just saw the trailer/scene from HUNTERS, and he explicitly depicts sexual abuse and genital mutilation TO THE WOMAN. (Yes, there is a man present being tortured as well, but the scene delivered through a MALE GAZE. The male is set to witness her receive torture first).

There is nothing clever about this scene. I'm not offended by older films where this is more common, but in the year 2015, how is female sexual abuse/humility/genital mutilation not considered a CLICHE and how is it still on the forefront. (Maybe because we aren't as culturally evolved as I think we should be, yet I do think there should be some artistic responsibility).

Either way, the scene is amateur and completely predictable from the opening shot. Kinda seems like it's a movie meant for 16 year old boys that still shop at HOT TOPIC.

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